
Ethan Hunt (Tom Cruise) returns for yet another top-secret assignment as hot property screenwriter Drew Pearce (Iron Man 3, Pacific Rim) takes over writing duties for the fifth installment of the phenomenally successful spy franchise. Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF
About Mission: Impossible Rogue Nation
Artist : Tom Cruise, Rebecca Ferguson, Jeremy Renner, Simon Pegg, America Olivo, Alec Baldwin, Hermione Corfield, Sean Harris, Simon McBurney, Jens Hulten, Jingchu Zhang, Rachel Ritfeld, Anastasia Harrold, Jorge Leon MartinezAs : Ethan Hunt, Ilsa, William Brandt, Benji Dunn, Luther Stickell, Shop Girl, CIA Agent
Title : Mission: Impossible Rogue Nation Film En Entier
Release date : 2015-07-31
Movie Code : 2381249
Duration : 69
Category : Action, Adventure, Thriller, Spy, CIA
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It's not the generic plot that's so memorable, even though its convolutions are clever enough, or the cast of mostly interesting characters, but the surreal swirl of form and color that frequently fills the enormous screen.
Five movies in, Cruise has perfected the M:I formula - a simple spy story, passable character comedy, and extremely long, impressively sustained action sequences.
Tom Cruise goes through the motions in this diverting but empty blockbuster.
The most reliable blockbuster series going: Five films, some weirder than others, but not a stinker in the bunch.
The eye-candy - from high-tech gadgets to gorgeous people - has only been ratcheted up. And so has the excitement.
This is Cruise's show and the actor brings the role a startling athletic grace and becoming maturity. If someone asks you what a true movie star is, point to Cruise.
As usual with the series, the movie combines a plot line a toddler could understand with gadgets that would baffle an engineering Ph.D.
At age 53, Tom Cruise is still a credible action hero. But this time, Rebecca Ferguson really gives him a run for his money, and his heart.
Of the many heists and grabs that litter the movie, none is as blatant as the deft, irrepressible manner in which Ferguson, displaying a light smile and a brisk way with a knife, steals the show.
There's a difference between velocity and momentum, and while the chases, shootouts and close-quarters combat rarely flag, our interest does.
Powered by Cruise's moxie, Mission: Impossible - Ghost Protocol proves that in a Hollywood action-ride culture drenched in fake adrenaline, it's cathartic to encounter the real thing.
[A] big, shiny, ever-moving toy of a movie.
"Mission: Impossible - Rogue Nation" is industrial-strength, stunt-stuffed, thoroughly soulless, yet eminently watchable cinema.
"Mission: Impossible-Ghost Protocol" is sheer hurtling mechanism-and it's great silly fun.
Everything, even Alec Baldwin's tight and itchy turn as a CIA buzzkill, is mere window-dressing to Cruise's attempts to kill himself on-screen.
Ghost Protocol is a very good thrill ride and Cruise is better than he's been in a long time.
Rogue Nation, like the similarly propulsive Ghost Protocol, often feels like a pure instrument of fun, dragging Hunt through an ongoing series of precarious situations.
The Intense Tom Cruise Face - you know the expression I mean, where he looks like he's about to explode and/or start yelling, but doesn't - makes frequent appearances, as does the trademark arm-chopping Tom Cruise Run.
You can discuss the incongruities on the drive home; while the movie's playing, you're having too much fun getting manhandled by experts.
Though not quite as front-to-finish satisfying as J.J. Abrams' Mission: Impossible III, Bird's installment nonetheless rocks.
This is comfort-food cinema. Gorge on the endless buffet.
"Mission: Impossible - Ghost Protocol" is a terrific thriller with action sequences that function as a kind of action poetry.
Along with many other things, the fourth Mission: Impossible movie also functions as a primer on how to use IMAX technology to immerse an audience.
The plot is simply an excuse to show off all that whiz-bang technology.
Bird is an interesting choice for the franchise and, as it turns out, a pretty inspired one.
"Mission: Impossible - Rogue Nation" proves that a summer flick can be as smart as it is exciting.
[Bird's] fresh touch gives breathless energy, tremendous excitement and, above all, humor to what could have been a wearying genre exercise.
The literal and figurative high point of Mission: Impossible - Ghost Protocol comes at about the halfway point, in and around the tallest building in the world in Dubai.
The wait for a great action movie is finally over. Mission: Impossible - Ghost Protocol is pure popcorn of the highest, most flavorful order, and it's good for you, too.
Bird brings a scary amount of assurance to Ghost Protocol. His action scenes are clean, coherent, thrilling, and visceral.
The most exciting action flick of the year, by a huge margin.
Gets back to action basics with globe-trotting, nifty gadgets, high-flying stunts and less loquacious villainy.
Mission: Impossible - Rogue Nation doesn't have the nonsensical lyricism of Brad Bird's stupendous Mission: Impossible - Ghost Protocol, but it's still pretty good.
At the age of 53 Mr. Cruise continues to give his all to these films, and his all in this latest episode is more than enough.
After taking a few stabs at the right formula, the series has finally found its voice, and Ethan Hunt and company give James Bond a real run for his blockbuster money.
A largely successful attempt to reboot the moribund franchise that turns out to be probably the most entertaining installment since Brian De Palma's series opener from 15 years ago.
It shouldn't surprise you by now to hear that Cruise apparently flirted with on-set danger here, too. And it's impossible to deny that this knowledge adds to the fun.
[Bird] applies the pacing and spatial freedom of a 'toon to a live-action thriller.
Manages to be a pretty good time for much of its overgenerous 132 minutes.
Doesn't do anything particularly wrong inasmuch as it overdoes something right - by the time we reach the final chase/shoot-out/hand-to-hand combat set piece, a bit of ice-cream-headache fatigue has begun to set in.
McQuarrie devises a film that's a succession of riveting sequences, filmed in a way that's active and yet elegant.
Just as newly gritty heroes seem to have run their course (fingers crossed), Cruise and Bird are doing their damnedest to maintain the escapist thrills that we as audiences will always choose to accept.
"Rogue Nation" is pretty much like most of the "Impossible" movies in that it's an immense machine that Mr. McQuarrie, after tinkering and oiling, has cranked up again and set humming .
At once questioning and reaffirming the pleasures of cinematic espionage, this is the rare sequel that leaves its franchise feeling not exhausted but surprisingly resurgent at 19 years and counting.
The most assured and satisfying of the five so far .
There's a good chance you'll get so caught up in what they're doing, you won't even notice how stiff and inhuman the actors appear.
Cruise fires up everything he has as actor and athlete, showing that Mission: Impossible still has gas in its tank even when its engine sputters.
"Mission: Impossible - Rogue Nation" is a sigh of defeat. Now Tom's only goal is to give us a kickboxing fight or a motorcycle chase every eight minutes, and hope for the best.
You'll never see Cruise playing an effortless comic book immortal - his characters are at their best when their backs are to the wall.
It's a rousing gasp machine that gives the flagging franchise the kick in the pants it sorely needed, and it marks the most impressive segue from cartoons to features since Pee-Wee's Big Adventure.
Hopefully, the reception will be positive because, on the strength of this outing, a sixth big-screen impossible mission is warranted.
As much as Cruise dominates "Rogue Nation," it's his co-star, Rebecca Ferguson, who emerges as the film's true and most memorable revelation.
.it's pretty much state-of-the-art.
In its way, the movie has old-Hollywood elegance. The scope and sets are vast, tall, and cavernous, but Bird scales down for spatial intimacy.
You don't overcome the "impossible" by thinking it over a little more carefully. You overcome it through the application of sheer, unvarnished willpower, a quality that Cruise has always possessed in abundance.
Writer-director Christopher McQuarrie, whose action movie skills are at best high-adequate, compensates by being good at interpersonal stuff. He can make us feel for the characters as something more than action toys.
Mission: Impossible - Ghost Protocol is top-notch popcorn entertainment, chock-full of dazzling stunts and heroic moments, played out at a near-hysterical pitch.
If the M:I films are immune to the tarnish on the Cruise brand, it's precisely because their spectacle requires us to be impressed by Ethan Hunt, not to like him.
Mission:Impossible - Ghost Protocol is easily the best of the lot.
Immersive, unpredictable and crammed with more sharp plot hooks than a fishing basket. It's one of the best wide-release movies of the summer.
The real mission is to renew a stale franchise, and here Ghost Protocol largely succeeds, on the strength of good action scenes - including an IMAX-enhanced Dubai skyscraper dangle by Cruise - and the good humour of a well-chosen cast.
The protagonists' dilemmas are quite extreme, the surprises come in all sizes and the ultra-smooth professionalism displayed in all departments early on encourages the sense that you're in good hands, a feeling that ends up being justified.
Possesses the requisite number of expertly choreographed how'd-they-do-that scenes, as well as some terrific supporting performances from "Mission: Impossible" veterans and newcomers.
Rogue Nation may not be the best, the tightest, or even the most logically coherent M:I flick, but there should be more movies like it: relentlessly thrilling, smart entertainments .
Cruise has played Ethan Hunt so often it would be understandable if he phoned it in, but one of the pleasures of "Mission: Impossible - Rogue Nation" is that he doesn't.
McQuarrie delivers a tense, eye-popping amusement-park ride that's almost as exciting as it is forgettable.
Ghost Protocol is big and brassy, doing many of the things its predecessors did but, in the words of Nigel Tufnel, turning them up to "11."
This film exists purely to dazzle and thrill, and by that measure, it delivers expertly, never lagging despite a lengthy 133-minute running time.
The action bonanza gets a little lost in its own spycraft, but offers action scenes both fast and furious and a fabulous couple of additions to the world of the IMF (short for Impossible Mission Force, obviously).
For about 90 minutes or so, Rogue Nation is grandly exciting. But in the final half-hour, McQuarrie makes a critical mistake: He starts taking this enjoyable nonsense seriously.
Mission: Impossible - Ghost Protocol was directed by Brad Bird (The Incredibles), whose first stab at a live-action feature preserves the buzzy exhilaration and carefree absurdity of a cartoon.
Bird has done a stylish and involving job here, turning in an entertaining production that's got considerable visual flair, especially in its action-heavy Imax sections.
I'm thinking it, so I might as well say it: Mission: Impossible - Ghost Protocol is no Fast Five.
It's full of attractive people, gorgeous locations, loathsome bad guys and a pounding score that ties it all together. This is what the "Fast and Furious" movies want to be, and the Bond pictures used to.
The franchise has a lot in common with Old Faithful: it's a popular attraction; predictable as clockwork; and features acts of nature - a geyser of boiling water in one case, Tom Cruise's abs in the other - that remain impressive after all these years.
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